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X-WR-CALNAME:Global Antiquity
X-ORIGINAL-URL:https://globalantiquity.humspace.ucla.edu
X-WR-CALDESC:Events for Global Antiquity
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TZID:UTC
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DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230505T120000
DTEND;TZID=UTC:20230505T140000
DTSTAMP:20230426T180603Z
CREATED:20230426T180603Z
LAST-MODIFIED:20230426T180603Z
UID:2797-1683288000-1683295200@globalantiquity.humspace.ucla.edu
SUMMARY:Materiality of Wak'as: Between History and Archaeology at Sacsayhuaman\, Cuzco
DESCRIPTION:The Andean Working Group presents “Materiality of Wak’as: Between History and Archaeology at Sacsayhuaman\, Cuzco” by Peter Kaulicke\, Professor in the Humanities Department at the Pontificia Universidad Católica del Perú. \nRegistration is required. Register here. \n\nThis event is co-sponsored by the Cotsen Institute of Archaeology and the UCLA Latin American Institute. \nFor additional information\, please contact Alba Menéndez Pereda (albamenendez@ucla.edu).
URL:https://globalantiquity.humspace.ucla.edu/event/materiality-of-wakas-between-history-and-archaeology-at-sacsayhuaman-cuzco/
LOCATION:Zoom
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230504T160000
DTEND;TZID=UTC:20230504T170000
DTSTAMP:20230501T190953Z
CREATED:20230501T190953Z
LAST-MODIFIED:20230501T190953Z
UID:2851-1683216000-1683219600@globalantiquity.humspace.ucla.edu
SUMMARY:Lost Books: The Forgetfulness of Writing and the Forgetting of Jewish Pasts Lost Books: The Forgetfulness of Writing and the Forgetting of Jewish Pasts | Annette Yoshiko Reed
DESCRIPTION:It is often noted how the discovery of the Dead Sea Scrolls transformed our understanding of ancient Judaism\, radically expanding our evidence for Jews and Judaism prior to the rise of Christianity. Yet this material also stands as a striking reminder of how much of the literary heritage of Jewish antiquity has been lost to us. How and why was this material lost to the Jewish tradition\, and what might its forgetting tell us about Jewish memory-making\, past and present? This lecture explores these questions with a focus on lost books\, real and imagined\, and the shifting meanings of writing within Jewish cultural history. \nRSVP here \n  \nAnnette Yoshiko Reed is Professor of New Testament and Early Christianity at Harvard Divinity School. \n\nShe studies ancient Jews and Christians\, with a focus on questions of knowledge\, identity\, and difference. \nHer recent books include Jewish-Christianity and the History of Judaism and Christianity​ (2018 and Demons\, Angels\, and Writing in Ancient Judaism (2020). She is currently working on a book on the cultural power of forgetting\, focusing on the Jewish reception of the Second Temple past. \nThursday\, May 4\, 2023 • 314 Royce Hall • 4 PM \nAnnette Yoshiko Reed (Harvard University)\nModerator: Sarah Abrevaya Stein (UCLA)\nLost Books: The Forgetfulness of Writing and the Forgetting of Jewish Pasts\nEtta and Milton Leve Scholar-in-Residence \n  \nThis event is co-sponsored by the Center for the Study of Religion and lead sponsor UCLA Alan D Leve Center for Jewish Studies’ Etta and Milton Leve Scholar in Residence.
URL:https://globalantiquity.humspace.ucla.edu/event/lost-books-the-forgetfulness-of-writing-and-the-forgetting-of-jewish-pasts-lost-books-the-forgetfulness-of-writing-and-the-forgetting-of-jewish-pasts-annette-yoshiko-reed/
LOCATION:Royce Hall 314\, 10745 Dickson Plaza\, Los Angeles\, CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230502T140000
DTEND;TZID=UTC:20230502T150000
DTSTAMP:20230501T190147Z
CREATED:20230501T190147Z
LAST-MODIFIED:20230501T190147Z
UID:2844-1683036000-1683039600@globalantiquity.humspace.ucla.edu
SUMMARY:Ancient Judaism between Christian Memory and Jewish Forgetting | Annette Yoshiko Reed
DESCRIPTION:Drawing on her in-progress book project on Forgetting\, this seminar will explore the place of memory and forgetting in the reception of Second Temple Judaism\, revisiting the supposed Rabbinic retreat from “history” after the Roman destruction of the Temple in 70 CE and exploring Christian and Jewish contestation over pre-70 Jewish pasts\, from antiquity to the present. \nRSVP here \n  \nAnnette Yoshiko Reed is Professor of New Testament and Early Christianity at Harvard Divinity School. \n\nShe studies ancient Jews and Christians\, with a focus on questions of knowledge\, identity\, and difference. Her recent books include Jewish-Christianity and the History of Judaism and Christianity​ (2018 and Demons\, Angels\, and Writing in Ancient Judaism (2020). She is currently working on a book on the cultural power of forgetting\, focusing on the Jewish reception of the Second Temple past. \nTuesday\, May 2\, 2023 • 314 Royce • 2 PM \nAnnette Yoshiko Reed (Harvard University)\nModerator: Catherine Bonesho (UCLA)\nAncient Judaism between Christian Memory and Jewish Forgetting\nEtta and Milton Leve Scholar-in-Residence \n  \nThis event is co-sponsored with the Center for the Study of Religion and lead sponsor UCLA Alan D Leve Center for Jewish Studies’ Etta and Milton Leve Scholar in Residence.
URL:https://globalantiquity.humspace.ucla.edu/event/ancient-judaism-between-christian-memory-and-jewish-forgetting-annette-yoshiko-reed/
LOCATION:Royce Hall 314\, 10745 Dickson Plaza\, Los Angeles\, CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230502T090000
DTEND;TZID=UTC:20230502T110000
DTSTAMP:20230426T173903Z
CREATED:20230426T173903Z
LAST-MODIFIED:20230426T173903Z
UID:2783-1683018000-1683025200@globalantiquity.humspace.ucla.edu
SUMMARY:Rob Sobak | Demsystifying the SLAC Job Application Process
DESCRIPTION:In this graduate workshop hosted by the Department of Classics\, Professor Rob Sobak of Bowdoin College will take Classics students through the process of applying for a job at a small liberal arts college (SLAC) in the US.
URL:https://globalantiquity.humspace.ucla.edu/event/rob-sobak-demsystifying-the-slac-job-application-process/
LOCATION:Dodd Hall 232\, 315 Portolo Plaza\, Los Angeles\, CA\, 90095\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230501T120000
DTEND;TZID=UTC:20230501T130000
DTSTAMP:20230426T173617Z
CREATED:20230426T173617Z
LAST-MODIFIED:20230426T173617Z
UID:2779-1682942400-1682946000@globalantiquity.humspace.ucla.edu
SUMMARY:Chris Gipson | Reader’s Digest: Extinguishing Kleos in Lykophron’s Alexandra
DESCRIPTION:Please join the Department of Classics for a brownbag lunch talk by Dr. Christopher L. Gipson (Loyola Marymount University\, Department of Classics) for a talk titled “Reader’s Digest: Extinguishing Kleos in Lykophron’s Alexandra.” The lecture will take place in person in Dodd Hall 248 and via Zoom from 12–1pm. \nFor the Zoom link\, please contact Neli Petrosyan (npetrosyan@humnet.ucla.edu). \nAll are welcome!
URL:https://globalantiquity.humspace.ucla.edu/event/chris-gipson-readers-digest-extinguishing-kleos-in-lykophrons-alexandra/
LOCATION:Dodd Hall 248\, 315 Portolo Plaza\, Los Angeles
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230429T150000
DTEND;TZID=UTC:20230429T170000
DTSTAMP:20230317T221405Z
CREATED:20230317T221405Z
LAST-MODIFIED:20230317T221405Z
UID:2642-1682780400-1682787600@globalantiquity.humspace.ucla.edu
SUMMARY:Pigments in Ancient Greek Painting & Medicine: Ecology\, Materiality and the Alchemical Laboratory
DESCRIPTION:  \nPigments in Ancient Greek Painting & Medicine: \nEcology\, Materiality and the Alchemical Laboratory\nlecture by\nIoanna Kakoulli\n(Department of Materials Science and Engineering\, UCLA) \nSaturday\, April 29\, 2023\n3:00 p.m.\n306 Royce Hall\nReception to follow \nAncient Greek paintings between the fourth century BC and the third century AD are characterized by a splendor of colors\, high artistic quality and rich pictorial effects such as shading\, translucency and transparency\, innovations that characterize and mark the art of Greek and later Roman painting traditions. Through the scientific analysis of surviving paintings—mainly wall paintings—this lecture explores the material ecology and intrinsic optical\, chemical and microstructural properties of pigments in Late Classical and Hellenistic painting. It further interrogates how these properties contributed to the paintings’ qualities\, aesthetics and function and their technological association with ancient makeup and therapeutic substances\, philosophy and early al(chemical) practices. Data is presented in the context of seminal texts of ancient writers such as Dioscorides\, Theophrastus\, Vitruvius and Pliny the Elder describing the chemical arts of color\, cosmetics and medicaments\, and alchemical recipes from two third-century AD Greek papyri\, which provide the earliest surviving direct evidence on ancient alchemical practices for the synthesis of colored compounds. \nIoanna Kakoulli\, who will serve as Acting Director of the UCLA SNF Hellenic Center in 2023-2024\, is a professor in the Department of Materials Science and Engineering with a joint appointment in the Archaeology Interdepartmental Degree Program and the UCLA/Getty Conservation Program\, in which she served as the inaugural ‘Lore and Gerald Cunard’ Program Term Chair from 2011 to 2017. Since 2018\, Professor Kakoulli has also held the honorary adjunct professor title at the University of Cyprus. Dr. Kakoulli has a M.A. from the Courtauld Institute of Art of the University of London and a Ph.D. in Archaeological Science from the University of Oxford. \nThis event is free\, but please RSVP in advance:https://forms.gle/arJpagpdcrTHEamm9 \nParking Information\nTo be provided \nThe event is supported by the Stavros Niarchos Foundation (SNF). \nImage caption: Detail of the Late Classical painted marble throne found in a Royal tomb in Vergina\, Greece attributed to Eurydice Sirra\, Macedonian queen and grandmother of Alexander the Great. The painted decoration of the throne shows the extensive use of a mercury-based pigment known as cinnabar; an important component in alchemy and perhaps the most celebrated pigment in Classical antiquity.
URL:https://globalantiquity.humspace.ucla.edu/event/pigments-in-ancient-greek-painting-medicine-ecology-materiality-and-the-alchemical-laboratory/
LOCATION:Royce Hall 306\, 10745 Dickson Court\, Los Angeles\, California\, 90095
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230421T160000
DTEND;TZID=UTC:20230421T190000
DTSTAMP:20230317T215043Z
CREATED:20230317T215043Z
LAST-MODIFIED:20230317T215043Z
UID:2621-1682092800-1682103600@globalantiquity.humspace.ucla.edu
SUMMARY:Film Screening of Cajus Julius Caesar (1914) with live accompaniment and original score by Michele Sganga
DESCRIPTION:Audio / Visual Romans II\nFriday April 21st 2023\n\nFilm Screening with Live Accompaniment and Original Score by Michele Sganga\nCajus Julius Caesar\, 1914. Directed by Enrico Guazzoni\n\n\nA live screening at UCLA’s James Bridges Theater of the rarely seen yet remarkable Italian silent feature film Cajus Julius Caesar (1914\, dir. Enrico Guazzoni) brought over especially from the archives of the Netherlands Film Institute and accompanied by an original score composed for the occasion by the noted concert pianist and composer Michele Sganga. Caesar’s life is presented in three movements: first romantic melodrama (his secret love for the beautiful Servilia); then triumph (his victory in Gaul); finally tragedy (death at the hands of his friends).\n\nThe screening will be followed by a Q&A with Maria Wyke and Michele Sganga.
URL:https://globalantiquity.humspace.ucla.edu/event/film-screening-of-cajus-julius-caesar-1914-with-live-accompaniment-and-original-score-by-michele-sganga/
LOCATION:James Bridges Theater\, 235 Charles E Young Dr E\, Los Angeles\, California\, 90095
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230420T170000
DTEND;TZID=UTC:20230420T190000
DTSTAMP:20230317T214614Z
CREATED:20230317T214614Z
LAST-MODIFIED:20230317T214614Z
UID:2619-1682010000-1682017200@globalantiquity.humspace.ucla.edu
SUMMARY:Maria Wyke | Feminizing Ancient Rome: Women at the Cinema from the 1900s to the 1920s
DESCRIPTION:Audio / Visual Romans I\nThursday April 20th 2023\n\nAnnual UCLA Joan Palevsky Lecture\nProfessor Maria Wyke\, University College London\n“Feminizing Ancient Rome: Women at the Cinema from the 1900s to the 1920s“\n\nThe medium of the moving image started out as part of variety programmes and women often appeared in it advertising to men the pleasures of the new technology. However cinema soon began to give greater agency to women including in its reconstructions of the Roman world. Storylines gave women larger roles than those in the primary sources. Visual perspective\, words and accompanying music worked to colour women’s stories in empathetic terms\, from empresses to slaves. This lecture will explore some of those strategies for feminising Roman history and some of the reasons why they were developed. \n\n\nAudio / Visual Romans II\nFriday April 21st 2023\n\nFilm Screening with Live Accompaniment and Original Score by Michele Sganga\nCajus Julius Caesar\, 1914. Directed by Enrico Guazzoni\n\n\nA live screening at UCLA’s James Bridges Theater of the rarely seen yet remarkable Italian silent feature film Cajus Julius Caesar (1914\, dir. Enrico Guazzoni) brought over especially from the archives of the Netherlands Film Institute and accompanied by an original score composed for the occasion by the noted concert pianist and composer Michele Sganga. Caesar’s life is presented in three movements: first romantic melodrama (his secret love for the beautiful Servilia); then triumph (his victory in Gaul); finally tragedy (death at the hands of his friends).\n\nThe screening will be followed by a Q&A with Maria Wyke and Michele Sganga.
URL:https://globalantiquity.humspace.ucla.edu/event/maria-wyke-feminizing-ancient-rome-women-at-the-cinema-from-the-1900s-to-the-1920s/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230412
DTEND;VALUE=DATE:20230415
DTSTAMP:20230317T220544Z
CREATED:20230317T220519Z
LAST-MODIFIED:20230317T220544Z
UID:2631-1681257600-1681516799@globalantiquity.humspace.ucla.edu
SUMMARY:AchWorks 1 – Identity\, Alterity\, and the Imperial Impress in the Achaemenid World
DESCRIPTION:Identity\, Alterity\, and the Imperial Impress in the Achaemenid World\n  \nThe Inaugural Symposium of the Achaemenid Workshops Series\nApril 12–14\, 2023 | 314 Royce Hall\n\nMorning refreshments and check-in begin at 8:00 am.  Panels begin at 9:00 am.\nThe Pourdavoud Center for the Study of the Iranian World is convening an international workshop on Identity\, Alterity\, and the Imperial Impress in the Achaemenid World\, held on April 12–14\, 2023 at UCLA. The symposium will include invited speakers whose research pertain to the history\, structures\, and reception of the Achaemenid empire. The overarching themes covered by the workshop are: current trends in Achaemenid scholarship; new horizons in art and archaeology; and the notions of identity\, alterity\, and the imperial impress in Achaemenid Elam and Persis\, Anatolia\, the Caucasus\, and Egypt. \nThe present workshop introduces a new series of symposia\, dubbed Achaemenid Workshops (AchWorks)\, which\, building on the achievements of Achaemenid studies in the past decades\, strive to revisit and reassess the state of Achaemenid scholarship over the coming years. with a dozen workshops hosted at leading institutions of ancient studies around the globe. \nCoordinated by the Pourdavoud Center in conjunction with our partner institutions and AchWorks’ Organizing Board\, these workshops aspire to become an intellectual hub for Achaemenid studies\, while affording an institutional framework to foster the next generation of scholars working on the Achaemenid world. \nClick here to register.
URL:https://globalantiquity.humspace.ucla.edu/event/achworks-1-identity-alterity-and-the-imperial-impress-in-the-achaemenid-world/
LOCATION:Royce Hall 314\, 10745 Dickson Plaza\, Los Angeles\, CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230406T160000
DTEND;TZID=UTC:20230406T173000
DTSTAMP:20230317T214244Z
CREATED:20230317T214244Z
LAST-MODIFIED:20230317T214244Z
UID:2617-1680796800-1680802200@globalantiquity.humspace.ucla.edu
SUMMARY:Dan-el Pedilla Peralta | Lecture in the Department of Classics
DESCRIPTION:Please check back later for more information.
URL:https://globalantiquity.humspace.ucla.edu/event/dan-el-pedilla-peralta-lecture-in-the-department-of-classics/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230403T150000
DTEND;TZID=UTC:20230403T160000
DTSTAMP:20230317T215945Z
CREATED:20230317T215945Z
LAST-MODIFIED:20230317T215945Z
UID:2624-1680534000-1680537600@globalantiquity.humspace.ucla.edu
SUMMARY:Elitzur Bar-Asher Siegal | How Many Grammars Does Jewish Babylonian Aramaic Have?
DESCRIPTION:In this lecture\, we will explore how languages evolve through linguistic diversity\, aiming to shed light on the intricate relationship between language\, its evolution\, and its transmission through historical texts. Drawing on the principles of sociolinguistics\, we will examine how speakers and writers of a language navigate between competing grammars. We will also explore the intricate process of ancient text transmission through scribes and copyists who acted as language agents with their own competing grammars. \nFocusing on the Babylonian Talmud\, we will demonstrate the linguistic richness and challenges encountered in studying the dialect of Jewish Babylonian Aramaic. The lecture will highlight the methods and tools used by linguists to reconstruct the original grammars of the text\, as well as trace the grammar of copyists from the Middle Ages. By doing so\, we will show how classic philological questions can be answered using linguistic tools. \n  \nAbout the speaker \n\n\n\n\n\nElitzur Bar-Asher Siegal has a BA in Philosophy and Hebrew Language from Hebrew University (1999-2002\, summa cum laude) and PhD from Harvard University (2009). He joined the faculty of the department of Hebrew Language at Hebrew University in 2010 after being the lecturer in Semitics at Yale University (2008-2010). He is also a fellow at the Language\, Logic and Cognition Center at Hebrew University. Elitzur was a visiting professor at Harvard University (Spring 2012)\, the Jacob Perlow Visiting Professor\, Yale University (2017-8) and a short term visiting Professor\, École Pratique des Hautes Études\, Paris (2018-2019). This year he is a visiting professor at Yale University in Judaic Studies and in Linguistics.\n\n\n\n\n\n\nTo register for this event\, please visit\nhttps://nelc.ucla.edu/event/elitzur-bar-asher-siegal-how-many-grammars-does-jewish-babylonian-aramaic-have/.
URL:https://globalantiquity.humspace.ucla.edu/event/elitzur-bar-asher-siegal-how-many-grammars-does-jewish-babylonian-aramaic-have/
LOCATION:Kaplan Hall 365\, 415 Portola Plaza\, Los Angeles\, California\, 90095
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230403T120000
DTEND;TZID=UTC:20230403T130000
DTSTAMP:20230317T213909Z
CREATED:20230317T213909Z
LAST-MODIFIED:20230317T213909Z
UID:2606-1680523200-1680526800@globalantiquity.humspace.ucla.edu
SUMMARY:Chris Whitton | Plotting and Replotting in Tacitus Annals 14
DESCRIPTION:Chris Whitton will give a Brownbag talk on April 3rd from 12 PM to 1 PM in Dodd 248. All welcome!
URL:https://globalantiquity.humspace.ucla.edu/event/chris-whitton-plotting-and-replotting-in-tacitus-annals-14/
LOCATION:Dodd Hall 248\, 315 Portolo Plaza\, Los Angeles
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230324T090000
DTEND;TZID=UTC:20230324T160000
DTSTAMP:20230317T213222Z
CREATED:20230317T213222Z
LAST-MODIFIED:20230317T213222Z
UID:2604-1679648400-1679673600@globalantiquity.humspace.ucla.edu
SUMMARY:Res Difficiles 4 | Difficult Conversations in Classics
DESCRIPTION:The 2023 Res Difficiles conference will take place on March 24th 2023. Register for the conference here. \nClassics at the University of California Los Angeles\, and Classics\, Philosophy\, & Religious Studies at the University of Mary Washington present Res Difficiles: A Conference On Challenges and Pathways for Addressing Inequity In Classics. Co-organized by Hannah Čulík-Baird and Joseph Romero. \nMay 24th 2023. All times Eastern Standard Time. \n9-9.30 Settling In \n9.30-10 Suzanne Lye\, “Can We Please Get Back to Research?: Creating Space Through Service” \n10-10.30 Tori Lee\, “Networking in the Margins: Towards a Future for Affinity Groups in Classics” \n10.30-10.45 Q&A \n10.45-11.15 Tara Wells\, “The Dangers of Reception: Harmful Uses of Classical Art for the Oppression and Othering of Indigenous Americans — Why it Matters” \n11.15-11.45 Ashley Lance\, “Rez Diff: Indigenous Philosophies and Ancient Thought” \n11.45-12 Q&A \n12-12.30 BREAK \n12.30-1 Lylaah Bhalerao\, “Black Carthage: Rethinking Perceptions and Presentations of Race in the Punic City” \n1-1.30 Jermaine Bryant\, “Beyond Reception: On the Limits of Classical Reception and New Directions” \n1.30-1.45 Q&A \n1.45-2.15 Javal Coleman\, “Comparative Slaveries in Ancient and Modern Contexts” \n2.15-2.45 Farnoosh Shamsian and Gregory Crane\, “Re-reading Plato In Persian: Linguistic Diversity Through Digital Annotations” \n2.45-3 Q&A \n3-4 Keynote: Jackie Murray\, “Race\, Slavery\, and Tyranny in Plato’s Republic” \nAll times are US Eastern. The event will be live-streamed via Zoom and use automated Zoom captioning. Participants/viewers may live-tweet the event on the hashtag #ResDiff4
URL:https://globalantiquity.humspace.ucla.edu/event/res-difficiles-4-difficult-conversations-in-classics/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230215T160000
DTEND;TZID=UTC:20230215T180000
DTSTAMP:20230204T190222Z
CREATED:20230204T185516Z
LAST-MODIFIED:20230204T190222Z
UID:2281-1676476800-1676484000@globalantiquity.humspace.ucla.edu
SUMMARY:Pourdavoud Center Lecture Series with Ann Hunnell Chen: Dislodging Disciplinary Silos at Dura-Europos
DESCRIPTION:Founded by the Seleucids\, successively occupied by the Arsacids (Parthians) and Romans\, and spectacularly conquered in a Sasanian siege\, the borderland town of Dura-Europos (Syria) was home throughout its history to a fascinatingly diverse population. Since its initial excavation\, the site has become justly famous thanks to unique circumstances of preservation that resulted in the site’s retention of significant organic materials and other traces of daily life long-vanished elsewhere. Together\, the multiethnicity and significance of the site’s finds make it a rare (and invaluable) archaeological resource that transcends modern disciplinary boundaries. And yet\, the site and its important archaeological resources have been too often considered the purview of ‘Western’ disciplines\, despite the fact that the site’s Arsacid occupation was indeed its longest phase. This talk will first explore how the original excavators’ choices with regard to data-processing and publication strategies have had an enduring impact on who mobilizes Durene data and to what intellectual ends. It will then turn to introduce the efforts of the International (Digital) Dura-Europos Archive (IDEA)\, a project recently funded by the NEH and designed to help cut across the disciplinary silos that still very much shape research on the site. \nAbout the Speaker\nAnne Hunnell Chen is an Assistant Professor in the Art History and Visual Culture and Experimental Humanities Programs at Bard College. She specializes in the art and archaeology of the globally-connected Sasanian and Roman worlds. She has held a fellowship in the Department of the Ancient Near East at the Metropolitan Museum of Art in New York and a postdoctoral associateship in Yale University’s ARCHAIA program for the Study of Premodern Cultures and Societies. She has published on Roman\, Persian\, and Digital Humanities topics\, and is also the founder and co-director of the International (Digital) Dura-Europos Archive (IDEA). Funded by the National Endowment for the Humanities\, IDEA is aimed at dislodging enduring impacts of colonialism through digital reassembly and recontextualization of legacy archaeological data from the site of Dura-Europos (Syria). Dr. Chen also serves as network co-chair and Annotations Activity co-coordinator for the international Pelagios Network. \nThe Zoom webinar link for those wishing to watch the live stream is: https://ucla.zoom.us/j/94721468611
URL:https://globalantiquity.humspace.ucla.edu/event/pourdavoud-ann-hunnell-chen/
LOCATION:Royce Hall 314\, 10745 Dickson Plaza\, Los Angeles\, CA
END:VEVENT
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